
Craft 01
Kundan
The royal art of setting uncut gemstones in 24k gold foil.
Jaipur · Heritage Jewellers
Heirlooms of the pink city — where a goldsmith's chisel still answers to lamplight, and every jewel is whispered into being.
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Born in the Pink City
Three centuries ago, when Sawai Jai Singh II drew Jaipur out of the Aravalli dust, he brought with him the craftsmen who would give the city its second name — the jewellery capital of India. Guilds of goldsmiths, setters and enamellers were given lanes of their own, and the lamps of Johari Bazaar have not gone dark since.
Kothari Jewels was born of that lineage. What began at a single bench — one forge, one karigar, a ledger written in ink — grew, generation by generation, into a house entrusted with the jewels a family wears only on the days it will remember forever.
We still set polki by hand, still foil kundan in 24k, still finish a piece only when the master says it is finished. The city taught us patience. We have simply refused to unlearn it.
1727
Sawai Jai Singh II founds Jaipur and settles its artisan guilds — goldsmiths, meenakars and setters given lanes of their own.
1890s
Johari Bazaar becomes the gem heart of India; uncut polki and kundan travel from Jaipur to every princely court.
1960s
The first Kothari bench opens — one forge, one karigar, one ledger written by hand.
Today
Four generations on, the house works from Govind Marg — the same craft, a wider world.
The setter's bench · Jaipur
The Atelier's Hand
Each Kothari piece passes through the hands of a single karigar — a silent dialogue between intent, metal and stone.

Craft 01
The royal art of setting uncut gemstones in 24k gold foil.

Craft 02
Enamelled mineral colour, fired into gold by the master meenakar.

Craft 03
Raw, uncut diamonds in their original lustre — the Mughal favourite.

Craft 04
A centuries-old setting where stones are embedded into molten gold.
✦ A Closer Look ✦
Held to the light, a Kothari jewel turns like a slow, unhurried hymn — each facet catching the lamp, each stone answering with a patient fire lit centuries ago in the workshops of Jaipur.
Nine Chapters
Each collection begins with a word — a town, an hour, a courtyard — and ends in gold.
The Collections
Each collection begins as a drawing on tracing paper and ends in a velvet tray — never rushed, never repeated.
Discover by Occasion
Tell us the day, and the house will bring out the tray that belongs to it.
✦ The Kundan Reveal ✦
Every uncut stone, every foil of gold — set by hand, revealed slowly, the way a heritage should be.






The House
A quiet, contemporary façade in Tilak Nagar — fluted stone, deep shade, and behind it the salons where the house receives its families. Come for a morning: the archive is opened, the trays are laid out, and nothing is hurried.
Trimurti Lane, B-1, Govind Marg,The Signature Reel
A glance through the atelier's quiet rooms — pieces chosen for their poise, drawn from the season's most beloved silhouettes.















The Bridal Universe
From the first whisper of a wedding to the morning of the milni — the Kothari bride is dressed in jewels carried across rooms, generations and ceremonies. A satin pouch becomes an heirloom; an heirloom becomes a story.
We invite you into the bridal salon — a private room where trousseaux are imagined, never sold.
Brides of Kothari
Real brides, real heirlooms — and the families who will inherit them.




✦ The Reel Diaries ✦
Whispers from the workshop and the salon — tap the speaker to hear the atelier.
@kotharijewels_jaipur
The Bridal Set
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Polki, Up Close
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Kundan in Lamplight
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The Necklace Reveal
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Hands of the Karkhana
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Emeralds & Gold
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The Jadau Story
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A Bride's Choice
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Inside the Salon
Why Kothari
A heirloom should be beyond question. These are the promises that accompany every Kothari piece.
Every gram of 22k and 18k gold carries the BIS hallmark and HUID, stamped before it leaves the bench.
Solitaires and polki lots arrive with IGI / GIA documentation; certificates travel with the piece.
Emeralds, rubies and uncut diamonds bought through long-standing Jaipur houses we have dealt with for decades.
Kundan, Meenakari, Polki and Jadau are worked by hand — one karigar, one piece, start to finish.
Complimentary polishing and re-stringing for life, with a transparent, written buyback policy.
Fully insured, signature-bound dispatch across India, and private hand-delivery within Rajasthan.
Certification copy to be confirmed with client
Meet the House
Four generations of goldsmiths — the family who still opens the safe each morning and closes it each night.

Chairman · Third Generation
Custodian of the house's Kundan archive, he learnt the setting of uncut stones at his father's bench in Johari Bazaar and has guided the atelier for four decades.

Managing Director · Fourth Generation
He carries the family craft into the present — overseeing sourcing, hallmarking and the atelier's bespoke commissions for brides across twenty-seven cities.

Creative Director
She draws each season's silhouettes, translating Rajput and Mughal motifs from the family's pattern books into jewels made to be worn, not archived.
Placeholder profiles · to be replaced with client content
Kothari in the Limelight
Premieres, palace weddings and the long evenings in between — the house, quietly present.

Wedding season editorial, Jaipur
Kundan choker with meena reverse

Private soirée, Udaipur
Polki collar with emerald drops

Award evening, Mumbai
Ruby satlada and meenakari jhumkas

Palace shoot, Amer
Jadau haar with baroque pearls

Royal wedding, Jodhpur
Turban ornament in uncut diamond

Gallery opening, Delhi
Diamond and polki collar
Client Stories
“My mother's polki haar was re-set for my wedding by the same family who made it in 1978. Nothing about it felt new, and that was the point.”
Ananya Rathore
Bride · Udaipur, 2024
“They refused to hurry us. Three visits, two sketches and a cup of kesar chai later, we had a sarpech my father would have recognised.”
Vikram Singhania
Bespoke commission · Delhi
“The meenakari on the reverse is finer than the front. Only a house that expects to be judged by its hidden work does that.”
Ritika Mehta
Collector · Mumbai
“We came for one choker and stayed for the afternoon. The bench was open, the karigars explained everything, nothing was rushed.”
Sanya & Aditya
Trousseau · Jaipur, 2025
“Twelve weeks, three fittings, and a piece that my daughter has already claimed for her own wedding.”
Neelam Bhandari
Heirloom commission · Kolkata
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✦ @kotharijewels ✦
A quiet feed of moments — mornings in the workshop, evenings on the bride, and the small poetry between.
In the Press
The Invitation
Step into the atelier for a private consultation — a quiet morning with our master craftsmen, a cup of kesar chai, and a conversation that ends in an heirloom.