Seth Hiralal Kothari
Founder · 1892
Master goldsmith from Marwar
A Heritage House of Jaipur
Four generations. One unbroken vow — to craft jewels that carry the weight of memory.

The Founding
In the closing years of the nineteenth century, a young goldsmith from Marwar arrived in Jaipur with little more than his tools, his prayers and his teacher's blessing.
Within the gold-lit lanes of Johari Bazaar he found a small room, lit a single forge, and began. The pieces he made were quiet, exacting, faithful — and word travelled, as it does in this city, from one whispered recommendation to the next.
That single forge has never gone cold. It burns still, behind the doors of our haveli, in the hands of the fourth generation.
The Generations
1892
In a small workshop within the walls of Johari Bazaar, the first Kothari karigar laid down a single sheet of gold — the foundation of a house that would outlast empires.
1928
The second generation found favour with the royal houses of Rajputana, crafting ceremonial jewels and turban ornaments for princely weddings.
1964
As tastes shifted, the third generation quietly returned to uncut diamonds and Mughal-era settings — preserving techniques that elsewhere were vanishing.
1998
A century after the first forge, the family opened the haveli atelier — a private salon where each bride is received as kin.
Today
The same hands, the same fire, the same unbroken vow — to craft jewels that carry the weight of memory.
The Lineage
Each generation a custodian, never an owner. Each name a chapter, never a closing.
Founder · 1892
Master goldsmith from Marwar
Second Generation
Court jeweller to Rajputana
Third Generation
Revivalist of Polki & Jadau
Fourth Generation
Custodians of the legacy
Cultural Patronage
The Kothari house has long given quiet patronage to the artisan guilds of Jaipur — the kundansaaz, the meenakar, the ghaatwala — believing that a craft survives only when its people are honoured.
Through royal weddings, monsoon festivals and the unhurried rhythm of Jaipur's seasons, we have stood with the karigars who keep these techniques alive.

The House Heirloom
Among the pieces the family has kept — never sold, never lent — is a Mughal-era amulet of emerald, sapphire and old gold, set in the polki manner of the early eighteenth century.
It is studied each season by the fourth generation, a quiet north star for the work that leaves our atelier. Turn it gently — it has waited three centuries to be seen.
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Continue the Story
Every Kothari piece is begun by appointment, in conversation, over cardamom tea — the way it has always been.
Meet the House
Four generations of goldsmiths — the family who still opens the safe each morning and closes it each night.

Chairman · Third Generation
Custodian of the house's Kundan archive, he learnt the setting of uncut stones at his father's bench in Johari Bazaar and has guided the atelier for four decades.

Managing Director · Fourth Generation
He carries the family craft into the present — overseeing sourcing, hallmarking and the atelier's bespoke commissions for brides across twenty-seven cities.

Creative Director
She draws each season's silhouettes, translating Rajput and Mughal motifs from the family's pattern books into jewels made to be worn, not archived.
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